Lot 83
122.5 x 152 cm ; 126 x 156.5 cm (with frame)
synthetic polymer paint on linen
With inscription Yala Yala YY890664 Property of Papunya Tula Artists P/L verso
Provenance: acquired from Art Forum, Singapore in 1993
雅拉 · 雅拉 · 吉布斯 · 通古拉伊《Tingari 在 Wapintja 旅行》1989年作 亚麻布上的合成聚合物涂料
款识：Yala Yala YY890664 Property of Papunya Tula
来源：1993年购自新加坡ART FORUM画廊
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Notes:
Yala Yala Gibbs Tjungurrayi is an Indigenous Australian artist born in Iltuturunga renowned for being one of the founders of Papunya Tula Artists in the early 1970s. Integral to the Pintupi-language culture, the Tingarri style painting which Tjungurrayi is known to have pioneered, is characterised by roundels with layers of concentric circles joined by dotted travelling lines. They symbolise the travels of ancestral beings across the desert landscape, depicting sacred geographical connections.
Capturing the essence of Tingarri style, this visually striking work is composed of alternating bands of white, black, and earth tone, each uniformly dotted with synthetic polymer paint. As Indigenous Australians consider the practice of painting spiritual, the process would likely have been accompanied by the singing of traditional chants.
Yala Yala Gibbs Tjungurrayi’s remarkable composition of Tingarri cycles offers a profound meditation on the sacred journeys of ancestors, the interconnectedness of land and spirituality, and the enduring traditions of the Pintupi people. His works are held in esteemed national collections, including the National Gallery of Australia and National Gallery of Victoria.
Yala Yala Gibbs Tjungurrayi 是一位出生于 Iltuturunga 的澳大利亚原住民艺术家，因在 1970 年代初创立 Papunya Tula Artists 而闻名。他是 Pintupi 语言文化的重要代表人物，且被认为是 Tingarri 风格绘画的先驱。Tingarri 风格的特点在于由圆形图案，这些图案通过点状的行进线相连，象征着祖先在沙漠景观中的迁徙，描绘了神圣的地理联系。
此作品完美展现了 Tingarri 风格的精髓，视觉上引人注目，采用了白色、黑色和大地色调的交替带状构图，每一部分均以合成聚合物颜料绘制的均匀点状装饰。由于澳大利亚原住民将绘画视为一种具有精神意义的实践，创作过程通常伴随着传统吟唱。
Yala Yala Gibbs Tjungurrayi 精湛地呈现了 Tingarri 的神圣旅程，深刻诠释了祖先的足迹、土地与精神世界的紧密联系，以及 Pintupi 人民世代相传的文化传统。他的作品被纳入包括澳大利亚国家美术馆和维多利亚国家美术馆在内的国家级重要收藏。 - Condition: This work overall is in good condition. Some inherent traces of paint thinning due to the painting done on unprimed linen. No sign of restoration and retouching on this work. The work is framed.
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