Lot 65
88 x 88 cm ; 94 x 94 cm (with frame)
acrylic and gold leaf on canvas
signed and dated 2004 lower middle
Provenance: Acquired from Ruamrudee Gallery; Private collection, Singapore
通猜·斯瑞苏克·普拉瑟特《米之四》2004年作 亚克力 金箔 画布
款识：艺术家签名 2004（中下）
来源：购自Ruamrudee 画廊；新加坡私人收藏
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Notes:
This work shows Thongchai Srisukprasert's ultimate control over composition, form and symbolic language. The three groups of golden shapes in the center of the picture are like mysterious objects floating on the black cosmic background. Their lines are simple and powerful, and the edges are surrounded by delicate and complex plant-like totems, showing the aesthetic essence of the oriental decorative tradition. In particular, the rice in the lower center is half open, and the inside is filled with vortex-like geometric textures, like a secret space wrapped around the seeds of life, containing the symbolic meaning of "nurturing", "protection" and "awakening". This visual suggestion strengthens Thongchai's consistent meditation on natural cycles, spiritual transformation and cosmic order in his works. The whole picture is dominated by black and gold, which is quiet and solemn, but it is full of agile light due to the subtle reflection of gold foil, and has a deep visual level.
Srisukprasert's creation is deeply influenced by Thai Buddhist philosophy and decorative traditions. In terms of form, it combines modern minimalist composition with oriental symbolic aesthetics to construct a "spiritual installation picture" that is both mysterious and rational. This work exemplifies his iconic "seeds and universe" theme in a very exemplary manner, and is an important presentation of the artist's mature style in the middle period.
泰国艺术家通猜·斯瑞苏克·普拉瑟特以极具仪式感与精神性的“稻米”系列闻名，作品融合泰国传统装饰元素、佛教哲思与现代构成美学，呈现出既庄严又细腻的视觉语言。《米之四》作为其系列中的重要作品之一，以近乎神圣的方式描绘稻米的形式与意象，展现出艺术家对“生命本源”的深刻凝视。
作品以四粒由黄金与黑色调渲染的稻米荚为主体，居中排列于精致的装饰性背景之上。荚身轮廓柔美而富动感，边缘装饰有优雅繁复的金色花纹，体现出泰国传统纹样的审美传承。其中一颗剖开的稻荚，露出内部带有旋涡图案的米粒，如宇宙之眼般，象征孕育、轮回与生生不息的宇宙循环。
艺术家使用金箔与亚克力交融处理，使画面呈现出温润的光泽与庄重的质感，营造出如曼陀罗般的沉思氛围。作品不只是物象的描绘，更是对“稻米”作为生命、文化与信仰象征的精神化呈现。
《米之四》是通猜2000年代初期成熟阶段的重要创作之一，反映了他将宗教意涵、自然形态与装饰结构融为一体的独特风格。此作曾参与泰国及国际艺术展览，受到广泛收藏家青睐，亦代表东南亚当代艺术中深具本土精神与形式革新的典范。 - Condition: The work is overall in good condition. No sign of restoration and retouching on this work. The work is framed.
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