Lot 77
57 x 67 cm ; 67 x 76.5 cm (with frame)
oil on canvas
signed and dated 1957 lower right
謝玉謙《我的村庄》1957年作 油彩 画布
款识：Yu Chian 1957 (右下)
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Notes:
As one of the most representative artists in the history of modern Malaysian painting, Chia Yu Chian's works are known for their delicate observation of local life and distinctive personality. "My Village" was created in 1957, at the beginning of the artist's return from the École des Beaux-Arts in Paris, France, showing his deep affection for local themes and the establishment of his early personal style. With heavy brushstrokes, expressionistic composition and highly saturated colors, the work depicts a part of a tropical village: traditional wooden houses, market vendors, women holding utensils, and palm trees swaying in the wind, outlining the simple and vibrant daily scenes of Nanyang society. A multi-layered visual effect is formed between the center and the foreground of the picture, allowing viewers to immerse themselves in it.
During this period, Chia Yu Chian was deeply influenced by the Cubism and Fauvism painting styles he had encountered in Paris, and at the same time insisted on examining local life through a "Malaysian lens". "My Village" is an iconic work that integrates Western modernist narrative with the reality of Southeast Asian life.
谢玉谦作为马来西亚现代绘画史上最具代表性的艺术家之一，其创作以对本土生活的细腻观察与鲜明个性著称。《我的村庄》创作于1957年，正值艺术家自法国巴黎高等美术学院归国初期，展现其对乡土题材的深厚情感与早期个人风格的确立。作品以浓重的笔触、表现主义构图与高饱和的色彩，描绘出热带村庄一隅：传统木屋、集市摊贩、手执器皿的女性，以及随风摆动的棕榈树，勾勒出南洋社会质朴而富有活力的日常景象。画面中央与前景之间形成多层次的视觉通道，使观者得以沉浸其中。
此时期的谢玉谦，深受其在巴黎所接触的立体主义与野兽派绘画风格影响，同时亦坚持以“马来西亚的眼睛”审视本土生活。《我的村庄》正是其融合西方现代主义语汇与东南亚生活现实的典范之作。 - Condition: Please enquire via email to [email protected]
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